“I was severely tongue tied and ready to give up on singing. Other teachers noticed the tension I felt, but couldn’t resolve it. Gemma understood the complexity of my case and gave me tools that actually worked. I’ve gone from feeling fundamentally incapable to preparing for a new musical future.”
- Ben H
If so, you might relate to the following:
Your voice tires quickly
High notes feel strained and unreliable
Low notes feel unstable
The voice flips between too breathy and too squeezed
Your voice doesn’t feel agile- riffs and fast songs are tricky
Breathing cues are confusing and unhelpful
You can’t control the nasality in your voice
The tongue is arguably the most important piece of anatomy when it comes to vocal training. It plays a central role in shaping sound, coordinating breath, and balancing effort throughout the body.
(Plus, we can see it and feel it more tangibly than other parts of our singing anatomy, which is helpful!)
When the tongue is restricted, this has a ripple effect on many other parts of the body, preventing them from working harmoniously.
This may show up as:
Jaw or neck tension
Difficulty adjusting vowels or resonance freely
Breathing patterns that feel shallow, confusing, or hard to coordinate
Inconsistent control from day to day
Many tongue tied singers have been told that they sound ‘fine’ and that it isn’t affecting them, but deep down they feel that something isn’t right.
I was tongue tied myself.
I’ve experienced the fatigue, the compensations, the “why doesn’t this work for me?” moments, and the extreme performance anxiety. Going through Myofunctional Therapy and an eventual release changed my life and shaped my approach to vocal coaching.
Find out more about my personal experience as a tongue tied singer here.
Tongue-tied singers- whether they have had a release or not- need a vocal coaching approach that respects the fact that their body is a little different.
My work focuses on:
Gently improving coordination between tongue, jaw, body, and breath
Reducing compensatory tension within an individual’s limits
Integrating breath retraining when helpful (including Buteyko principles)
Working with your uniqueness and embracing your own sound
Many of the tongue tied singers I coach start to notice:
Less vocal fatigue
Easier high notes
Stronger, more reliable sound
Breathing exercises finally work
And most importantly, they start to love their voice.
If you are tongue tied singer and want to work with a coach who get its, book a Discovery Call with me today.
Yes. Many singers develop strong compensations that allow them to sound good. However, underlying restriction can still influence ease, stamina, coordination and strength.
No. There is no single right path. Some singers benefit greatly from Myofunctional Therapy, vocal and breathing work alone, while others explore a release as part of their journey. My role is never to push medical decisions, but to support your voice in whatever context you’re in.
Yes. I support singers pre-release, post-release, and those not planning a procedure at all. Post-release work often focuses on helping the voice and body integrate new freedom gradually, without overwhelm or instability.
This is very common for tongue-tied singers. When parts of the body are compensating, effort can remain high even when we sound good. Tongue tie aware vocal coaching works to make singing feel less effortful and more enjoyable for you.
Yes, when appropriate and with your consent. My work is designed to complement clinical or therapeutic support — not replace it — so that singers experience continuity rather than conflicting approaches.